ZAJ
Credits
- Company
- Gradient Contemporary Ballet
- Year
- 2026
- Duration
- 40 min
- Premiere
- Debrecen, Hungary
- Choreography
- Edit Domoszlai
- Set Design
- Jenny Horváth
- Costume Design
- Dóra Hegedűs
- Music
- Arnold Darányi - @ásvány
- Előd Abonyi - @előd
- Voice
- Imelda Hajdu
- Dancers
- Chiara Cascino, Marta Crocamo, Rut Nache López, Elise Paris Turco, Matthew Joseph Retcho, Bendegúz Varga, Lina Lolita Verveckken, Valerio Zaffalon
- Rehearsal Director
- Fernando Gabriel Luis
About the work
Voices surround me.
Advice, remarks, reactions.
Over time, these sentences begin to repeat.
They come from outside, but continue within.
It is not always clear where a thought begins.
Nor how much of it stays.
There are moments when it is difficult to decide what to believe.
Each of them can feel true at the same time —
or completely unreliable.
In this density, the question is not always what is happening, but what can shift something. Whether there is a point where the voices do not disappear, but simply lose their control.
ZAJ — the Hungarian word for "noise" — began with an interest in the different “characters” or modes of mind described by Jill Bolte Taylor in Whole Brain Living. Rather than treating these as fixed neurological categories, the studio research used them as contrasting embodied states: different ways of moving, reacting, making decisions and relating to others.
The research gradually shifted towards a more specific question:
what makes one state emerge over another?
Working closely with composers
Abonyi Előd and Darányi Arnold, different sonic qualities were used to
trigger physical, emotional and behavioural shifts rather than simply
accompany the choreography.
Language entered through short fragments of thought — passing sentences,
judgements and impulses that can appear almost involuntarily in the mind.
The voices in the final work were provided by Hajdu Imelda, becoming another
layer alongside movement and sound. These elements overlap, interrupt and
sometimes contradict one another, reflecting the internal noise of shifting
mental states.
Rather than defining four separate characters, ZAJ became an investigation into what provokes changes in our internal position, how quickly those changes can happen, and how they shape the way we perceive and respond to the world around us.
ZAJ was created in 2026 as part of Mind the Body and presented in Debrecen, at the Budapest Dance Festival / National Dance Theatre, and at The Festival of DANCE in Veszprém, where it received the Choreography Award and Performance Award.
Press & Reviews
“A precisely constructed dance language reflects on our personal, everyday micro-struggles.”
Gábor Lénárt, Tánckritika, 2026
“The densely layered choreography, shifting between styles and combined with the soundscape of Előd Abonyi and Arnold Darányi, perfectly captures this bombardment of stimuli.”
Léna Megyeri, Revizor 2026
TÁNC XXVIII. International Contemporary Festival — 2026 Award Winners of Choreography and Performance
Festival's Site, 2026