ABOUT

Edit Domoszlai is a Hungarian-British choreographer and dance artist with a 13-year international performing career. She danced with Ballet Pécs before joining Rambert in London in 2014, where she remained for nearly eight years under artistic directors Mark Baldwin and later Benoit Swan-Pouffer, performing works by choreographers including Wayne McGregor, Sharon Eyal, Merce Cunningham, Hofesh Shechter, Christopher Bruce and Kim Brandstrup.
She later worked as a freelance dancer, including with L-E-V / Sharon Eyal & Gai Behar. Her performing career was recognised with the Best Female Dancer award from the Hungarian Dancers Association in 2014, alongside critical recognition for her performances with Rambert.

Her choreographic practice has developed through Rambert’s Choreographic Platforms, La Biennale di Venezia, Dance Arts Faculty Rome, the Carlos Acosta Foundation, the Hungarian Dance University and Csokonai National Theatre Debrecen. In 2022, she was selected by Wayne McGregor as one of two emerging choreographers for Biennale College Danza in Venice, where she created Liminal. In 2024, she received the Carlos Acosta Choreographic Fellowship, undertaking an R&D process exploring relationships between movement, language and interpretation.

From 2024 to 2026, she was invited to develop the dance department at Csokonai National Theatre into Gradient Contemporary Ballet Debrecen, establishing its contemporary artistic direction. During this period, she built collaborations with Debrecen’s MODEM contemporary art museum, developed audience outreach programmes and GENEZIS, an in-house choreographic platform for dancers. She also conceived "LÉT(ra"), bringing the theatre’s dance and drama departments together in a shared production. Her 2026 work "ZAJ" received the Choreography Award at the 25th Dance Festival in Veszprém, where the production was also recognised with a Performance Award.

Alongside her artistic practice, Edit holds an MA in Education and Technology from UCL Institute of Education, completed with support from Dancers’ Career Development (DCD). Her dissertation, which received an Exceptional Dissertation Award, examined how digital authoring tools influence instructional design decisions. She previously studied at the University of Pécs and undertook an Erasmus period at Humboldt University Berlin while continuing her professional dance training.

From 2018 to 2021, she also served as a Reach Ambassador for DCD, supporting its work around professional development and career transition for dancers. Alongside her artistic career, she has worked in software development, gaining experience in systems thinking, software testing and the analysis of complex processes — perspectives that increasingly intersect with her choreographic research.

Her current interest is in developing a choreographic practice that combines rigorous physicality with research into behaviour, perception and systems.